
I just got back from a very long week of work in Dallas. Met some good people there, except for the one yokel in Chili's who kept insisting that just because he hated minorities that it didn't mean he was racist. Minorities were racists against him, and that's why he hated them. And apparently, I'm a bigot against bigots, whatever that means.
I spent a lot of nights reminiscing with my good friend Tom Collins, and then let the hotel ductwork drone me to sleep. I have never been happier to be back in Little Rock -- so screw Wolfe, you
can go back home again.
So here I am catching up on news for the week, only to discover nothing has really happened. Alito got confirmed, like that was shocking news. Here's some interesting tidbits I've been able to comprehend as I wait for my venti, triple-shot, skinny mocha to take effect.
While reading this
article, did you hear a gust of wind and a shrill cry followed by a loud wet thump? That was the sound of a zillion midlife wannabe filmmakers throwing themselves off the nearest high structure in a fit of bitter jealousy. Luckily, I survived the fall, having landed on the soft bodies of those who descended before me.
And if it all comes out well, this
camera will change the world of independent filmmaking forever. That is, if
the price comes out okay.
This article exposes how fake reality tv is. Duh, you say, but it's still intriguing to learn the techniques that they use. I love the term Frankenbites. I think I could say it all day long.
Frankenbites, frankenbites, frankenbites. Okay, maybe not.
This year's Slamdance has an
online short film site. Sites like this and
Triggerstreet are a great way for us filmmakers out in the boonies to learn their craft. Watch, critique, and study.
And lastly,
Filmthreat absolutely skewered this Sundance film that was shot in Arkansas last year. I know some of the crew, and they had some interesting stories from that production.